Saturday, October 17, 2009

Ideas Band Initiation

The history, places and peoples. The origins of merengue


When Europeans landed on the beaches of the Caribbean island of Hispaniola, now divided between the states of Haiti and the Dominican Republic, they found mostly peaceful pre-colonial peoples. Among the people present in the Caribbean and then in the current Dominican island there were the Tainos, an ethnic group in their indigenous language means "good people". Christopher Columbus described them as the Catholic monarchs Ferdinand of Aragon and Isabella of Castile: "Your highness may believe that worldwide there may be a better person ... love their neighbor as themselves, and have the most speech the world's fresh, and are gentle and always laughing. " The island's dance dynamic, fast, happy was an inaccessible place, from the lush vegetation, crystal clear sea. Coveted mid-century maritime traffic, the island was the subject of expeditions of English adventurers, fertile ground for legendary pirates ready for any sort of looting, the events that arose over the centuries the fantasies of Western novelists. These people lived in small villages with geometric squares that served as a gathering socio-cultural. Within these areas were alternated various social activities such as festivals, religious ceremonies, public ceremonies and games, the Tainos, for example, the invention of the game ball. In the eyes of the Indians the Spaniards were men seem to have come from another world, white-skinned people, strangely dressed, unshaven. The Indians, moreover, did not demonstrate a degree of clothing class. They wore short skirts, gold jewelry around his neck, nose and shells of all kinds. The friar Bartolome de Las Casas, called the Apostle of the Indies (from childhood involved in the affairs of the Indies) historical source is credited, even if you do not forget the numerous archaeological excavations in circumcaribica. For the Church the people settled in the island territory is "people created by God without malice and without duplicity." He describes the many aspects their physical, moral and their infinite kindness, wish to defend against those who regarded them as irrational and bestial; against exploitation in the infamous "encomiendas. The terrible genocide perpetrated by the Iberian monarchies did not come to the necessary manpower to meet the needs of the conquerors. It was thought right then to introduce, from the beginning of the sixteenth century, African slaves from the west coast of Africa for use in sugar cane fields. Began the meeting of three cultures intercontinental. The life of the natives was based on a whole made up of ceremonial rituals, crafts, tribal dances. There were so many occasions reserved for men to dance, they did so wearing straw masks, painting the entire body, staging real sacred dances, some of which primarily calls areytos accompanied by drums. The origins of all the dances never find a single reliable source. For the merengue are different argument assumed by scholars. Mingle stories of poor African slavery which, chained at the ankles, they were inevitably forced to crawl around his feet to the beat of drums. Through songs and sounds of primitive instruments of centuries anticipated movements timeless. It is said for example the story of a slave who rose against the Spaniards, wounded in the leg, managed to vanish into thin air. During a party in his honor would have danced all night and, despite the clumsy movements, the strange gestures were imitated by the people. And again that comes from the French word "meringue, meringue. But what is striking is how even today the current state Caribeño this dance is very widespread. You may be incredulous at seeing places, squares, streets and all the local island living this frenetic pace. The meeting with the merengue is a vital embrace that expresses itself through its traditions, its people, its roots. That 's what the intellectual Bulgarian Todorov, about the conquest of America, wrote, "is the most extraordinary meeting of our history. "

Saturday, October 10, 2009

Similar Between Essentialism And Perennialism

The beginnings of the sauce in Italy


was the early nineties of the twentieth century when some rhythms from the west made the world go crazy thousands of Italians. Stormed the music scene in Italy, and in our lives, the Latin American dances. Rome, 1989. Roberta Begnoni, alias Besito de Coco, is an interesting look wistfully in his book dedicated to Latin music starting from this symbolic date. You can move to re-read the times were, "... a mixture of ethnic and social backgrounds in a very successful evening (they were the first parties organized Latin) ... I enjoyed your hips moving to exhaustion forces ... the feeling of being merged in the sea of \u200b\u200bsounds right and I was looking for warm, partly as a result, some of Brujeria, treading in the footsteps of some spell my way. " In the capital plagued by Latin rhythms, salsa, merengue, rumba began to echo from inside the imperial arches. One of the most beautiful ever made was the Palladium which frame the development and spread of sauce, then to Latin dance. Namesake was the famous temple of New York who had seen the boom of the mambo, the chachacha, latin jazz. There were times when he had a fun word meaning, the people meant to be together, rejoicing in what little good one in the world, the dance. Golden Years, carefree, after dancing. Before Rome became powerhouses of Latin motion already proposed the Umbria Jazz delicious array of concerts in Latin America. They performed, among others, Chucho Valdes, which can be considered a master of music and Latin American culture. In Italy at the end of the eighties began to tick off the first dance schools. Milan, Turin, Bologna, Naples, Florence and Rome, which in 1986 boasted the presence of a small club called Charango proposing evenings Latin varied. In the decade since the sauce in Italy winning widespread public support. The social groups most "affected" by dance fever this are employees, officers, craftsmen, hairdressers, all orders are ready to experience the Caribbean like the sauce. There are growing travel in the Caribbean, is inaugurated courses in English, go to the movies that captures the moment dancers posing a series of themed films. At the time of the movie "salsa" salsa explosion Tersicorea reached its apogee. Millions of people in Italy have fun without being pretentious, it was enough to leave home, meet friends, dance, dance, and dance. Initially, the desire to move to the rhythm of clave, the congas, maracas was predominant up to each person who approached the Latin dance. He danced in the street, the good friend taught the basic steps to another. The basic sauce in Papito Jala Jala essential for him to discover the secrets of learning body no longer exists. In two thousand the increased proportion of teachers, disk jockey, organizers of evenings, with the fixed idea of \u200b\u200bthe ball at all costs (improvisation artists of the time), caused a crisis that is before the eyes of all. They begin to close the first club. The great masters suffer unfair competition. The musicians you see less and less around. The reality is well explained in these lines of a professional complaint: "... Everybody come back to do their job! The owners of the premises concerned to improve their environments (starting by the acoustics), the organizers did the organizers, the dee jay dee jay (at the service of others and not themselves) and teachers to teachers. ... "enough of this race to the bottom ... this offspring proliferation of courses for teachers, this race to the diploma issued by the federations increasingly complicit !!!... It would be much more apt to say no to those who see the masters of simple portagente, even those that offer you money to participate in their events. Who invites you to make the weekend at the Festival of salsa or such and such ports only if the students or the sale of package ... the competition does not win the "sale" but increasing the quality of your offer. " The sauce like every kind of music must continue to the right balance between artistic creativity and human emotion. In the dance would be useful to evoke a new sense of freedom, desire and skill contagious ephemeral. The hope is that young people asking for more news about Latin dances and the "queen" of the Caribbean. Not satisfied with the simple dance course, would prefer to go deeper into aspects of the beautiful yet naïve Latin world. Comparisons with Italy, the traditions, musical matters. Reserve the right to every person, even for the foreseeable future, that huge culture that miraculously came to Italy with all its wealth of folklore, passion and timeless story.